{"id":4383,"date":"2024-03-30T23:23:29","date_gmt":"2024-03-30T23:23:29","guid":{"rendered":"https:\/\/composers-inside-electronics.net\/cie-wp20\/?p=4383"},"modified":"2026-04-18T17:41:05","modified_gmt":"2026-04-18T17:41:05","slug":"about-composers-inside-electronics","status":"publish","type":"page","link":"https:\/\/composers-inside-electronics.net\/cie-wp20\/","title":{"rendered":"About Composers Inside Electronics"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Phil Edelstein, updated March 2026 (and work in progress)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(partial list of pre 2018 legacy sites <a href=\"https:\/\/composers-inside-electronics.net\/cie\/cie\/cie_history.html\" data-type=\"link\" data-id=\"https:\/\/composers-inside-electronics.net\/cie\/cie\/cie_history.html\">CIE History<\/a>, <a href=\"https:\/\/composers-inside-electronics.net\/cie\/cie\/cie_home.html\">CIE Home (legacy)<\/a> <a href=\"http:\/\/www.composers-inside-electronics.net\/dtudor\/legacy\">CIE Tudor Legacy pages<\/a> , <a href=\"https:\/\/composers-inside-electronics.net\/rainforest\/rainforest\/INTRO.html\">Rainforest<\/a>, <a href=\"https:\/\/composers-inside-electronics.net\/jdriscoll\/home\/BIO.html\">John Driscoll<\/a>, <a href=\"https:\/\/composers-inside-electronics.net\/pedelstein\/home\/PE_Home.html\" data-type=\"link\" data-id=\"https:\/\/composers-inside-electronics.net\/pedelstein\/home\/PE_Home.html\">Phil Edelstein<\/a> deprecated due to Apple iWeb not supported)<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2895ea9cde0\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2895ea9cde0\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Introduction\" >Introduction<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Current_Activity_2022-26\" >Current Activity  2022-26<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#History_and_Chronology_1973-2022\" >History and Chronology 1973-2022<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Bios\" >Bio&#8217;s<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Driscoll_Bio\" >Driscoll Bio<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Edelstein_Bio\" >Edelstein Bio<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Links_and_Additional_Reading\" >Links and Additional Reading<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/#Individuals_Websites_with_Bios_partial_list\" >Individual&#8217;s Websites with Bio&#8217;s (partial list)<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Introduction\"><\/span>Introduction<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Composers Inside Electronics&nbsp;(CIE)<\/strong>&nbsp;originated through the realization of creative work grounded in the exploration of sound and live electronics as an interactive, spatial, and sculptural medium. The collective emerged in 1973 from collaborations at New Music in New Hampshire, bringing together&nbsp;David Tudor,&nbsp;John Driscoll,&nbsp;Ralph Jones,&nbsp;Linda Fisher,&nbsp;Bill Viola, and&nbsp;Phil Edelstein.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Soon after, additional collaborators including&nbsp;Paul DeMarinis joined for performances such as the 1976 performances at the Festival d\u2019Automne in Paris. Through these projects, the group coalesced under the name Composers Inside Electronics. Since then, CIE has continued to evolve in different forms up to the present day and actively planning future projects.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rather than functioning as a fixed ensemble, CIE hs evolved and operates as an open and project-based collective. Its structure is defined by ongoing collaborations, with participants and configurations shifting according to each work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CIE\u2019s installations and performances emerge from a shared interest in custom-built instrumental loudspeakers, sound as a sculptural medium, and the creation of interactive objects within a collaborative environment. The work has been strongly shaped by David Tudor\u2019s approach to feedback and circuitry as compositional tools, as well as by projects such as&nbsp;<em>Rainforest IV<\/em>&nbsp;and subsequent&nbsp;<em>Rainforest<\/em>&nbsp;variations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In these works, sculptural sounding objects are used to articulate space through distributed sound fields. This expands traditional musical parameters\u2014such as pitch, harmony, and rhythm\u2014by incorporating spatial and physical dimensions as integral compositional elements.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rather than presenting a single, time-based sequence of sound within a fixed listening position, CIE creates environments that invite listeners and viewers into a shared acoustic and visual landscape. Sound unfolds not only over time, but across space, with variation arising through movement, location, and interaction.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Current_Activity_2022-26\"><\/span>Current Activity  2022-26<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">CIE has been focused on collaborative sound art installations, projects and related performances. Allied projects have included <em>Teasing Chaos<\/em> at the Museum der Moderne, <em>Unexpected Territories<\/em> produced by SigUhr Projects, collaborative works such as <em>Gestures\/Murmurations<\/em> (Cecilia Lopez, John Driscoll), <em>Cluster Fields<\/em> (John Driscoll, Phil Edelstein), the <em>LocaleS3 triptych<\/em> (Phil Edelstein , Michelle Jaffe, David Reeder), related publications, symposia, research, consultations and release of recordings. In 2024 there were notable performances at the Getty and Arter of various Tudor work performed by John Driscoll, Michael Johnsen, G\u00f6khan Dene\u00e7, John DS Adams, Phil Edelstein including Driscoll&#8217;s <em>Speaking in Tongues<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Supporting documentation under cover of <a href=\"https:\/\/zuccairegallery.stonybrook.edu\/exhibitions\/_past\/Composers%20Inside%20Electronics.php\" data-type=\"link\" data-id=\"https:\/\/zuccairegallery.stonybrook.edu\/exhibitions\/_past\/Composers%20Inside%20Electronics.php\">Gestures and Clusters<\/a> at the Zuccaire Gallery from Dec 2024-Feb 2025.  Activities included workshop &amp; performances of <em>Pepscillator <\/em>and <em>Speaking in Tongues<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Several of the CIE cohort presented at symposium in Darmstadt summer of 2025 (Kuivila, Johnsen, Rogalsky , DeMarinis, Koch, and others).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Most recently in 2026, Michael Johnsen, Ron Kuivila and You Nakai were key to the Bowerbird exhibition <em><a href=\"https:\/\/www.bowerbird.org\/event\/david-tudor-a-view-from-inside\/\">David Tudor: View from Inside<\/a><\/em>  in Tudor&#8217;s city of origin Philadelphia. This inlcluded performances of <em>Untitled<\/em> and <em>Pulsers<\/em> realized by Johnsen, <em>Dialects<\/em> by Ron Kuivila, and and extend ensemble for Forest Speech (MJ, PE, with Eugene Lew, Dan Fishkin, Gianna Santucci and Victoria Keddie and Pepscillator (PE, DF) with rotating loudspeakers using design from John Driscoll.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An area of interest is in a program under cover of the <em>David Tudor Sound Lab @ CIE <\/em>to carry forward the evolution of Tudor\u2019s and CIE legacy through formation of an archival collection, assembling a portfolio of works, installations, performances, symposia, workshops, publications and other means of dissemination (both online and at physical venues). The latest manifestation of the spirit of that can be found under <a href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/\" data-type=\"link\" data-id=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/\">100+50 Tudor and CIE<\/a> marking Tudor&#8217;s Centenerary and CIE&#8217;s 50th.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"History_and_Chronology_1973-2022\"><\/span>History and Chronology 1973-2022<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Exampoes of other composers participating in CIE events and activities have included: Paul DeMarinis, John D.S. Adams, Seth Cluett, Linda Fisher, D\u2019arcy Gray, Michelle Jaff\u00e9, Michael Johnsen, Ralph Jones, Ron Kuivila, Cecilia Lopez, You Nakai, Matt Rogalsky, Bill Viola, and many others.  CIE has been shaped by the nature of these participations. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CIE grew out of David Tudor\u2019s workshop at New Music New Hampshire in 1973 introducing the idea of instrumental loudspeakers that became <em>Rainforest IV<\/em> as a template of collaboration and creative cooperation through the composers\u2019 performances of a repertoire of live electronic works.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With David Tudor\u2019s passing in 1996, the extended community engaged in carrying forward the creative and collaborative spirit that has been our inheritance. CIE has continued to evolve as an umbrella for a spectrum of activities including the realization and presentation of works from the extended CIE community along with presentations of <em>Rainforest IV<\/em>, various collaborations and individual works. 2014 was the start of a 10-year cycle characterized by the construction of the <em>Rainforest V<\/em> variations acquired by Museum der Moderne Salzburg, MAC Lyon, MoMA NY and Arter Istanbul, exploration of the Tudor papers at the Getty Research Institute, Tudor\u2019s instruments at Wesleyan University, dance projects with the Merce Cunningham Trust <em>50 Looks<\/em> inside Rainforest V at Arter, Stephen Petronio\u2019s <em>Bloodlines<\/em> realizations, Ballet de Lorraine and Lyon Opera Ballet. During this period, CIE has been working with Michael Johnsen\u2019s recreations of the Mumma Modulator and has been undertaking various activities including workshops, performances, and exhibitions combining historically accurate reproductions of Tudor instruments along with modern realizations and new works.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Bios\"><\/span>Bio&#8217;s<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Additional bio&#8217;s at individual websites below.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Driscoll_Bio\"><\/span>Driscoll Bio<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">John Driscoll is a composer, musician and sound artist from New York, currently living in California. He is a founding member of the innovative Composers Inside Electronics (CIE) group and performed with David Tudor and collaborated on his Rainforest IV project since its inception in 1973. His work has focused on robotic rotating loudspeakers, unique ultrasonic instruments, compositions and sound installations for resonant architectural spaces, and music for dance. He was a DAAD fellow (Berlin), and has toured extensively in the US and Europe with Tudor, CIE, Douglas Dunn &amp; Dancers, Maida Withers and the Dance Construction Co., Stephen Petronio Dance Co., Merce Cunningham Dance Co., Phil Edelstein, Cecilia Lopez, and as a solo performer. His recent sound installation work has been exhibited at the Fridman Gallery (NYC), MoMA (Warsaw), MoMA (NYC), Museum der Moderne(Salzburg), Lyon Biennale, MAC (Lyon), Arter Museum (Istanbul), University of Maryland (College Park), Subtropics Festival (Miami), New Bedford Art Museum and others. His collaboration with Phil Edelstein on the sound installation <em>Rainforest V \u2013 (variations 1-4)<\/em> (2015-2018) resulted in acquisitions for the collections of: MoMA (NYC), Museum der Moderne (Salzburg), Vehbi Koc Foundation for the Arter Museum (Istanbul), and MAC (Lyon). His recent installation work <em>Cluster<\/em> <em>Fields<\/em> is a collaboration with Phil Edelstein.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Edelstein_Bio\"><\/span>Edelstein Bio<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Phil Edelstein is a composer, media and sound artist from New York, currently based near Boston. He is a founding member of eba (originally Electronic Body Arts), with Maude Baum, George Kindler, and others, and of Composers Inside Electronics (CIE), formed with David Tudor, John Driscoll, and collaborators. Since its inception in 1973, CIE has collaborated on the&nbsp;<em>Rainforest IV<\/em>&nbsp;project.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edelstein\u2019s work focuses on interactive, gestural, and tactile software-based systems; sound composed for resonant, localized environments; and collaborations with dance. He has toured throughout the United States and Europe with Composers Inside Electronics, Stephen Petronio Dance Company, and as a solo performer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His recent sound installations have been presented at venues including Eclipse Gallery (North Adams), Harvestworks\u2019 Nolan House on Governors Island (as part of the triptych&nbsp;<em>LocaleS3<\/em>), MoMA (New York and Warsaw), Museum der Moderne (Salzburg), the Lyon Biennale, MAC Lyon, Arter Museum (Istanbul), the University of Maryland (College Park), and the New Bedford Art Museum, among others.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His collaboration with John Driscoll on the sound installation&nbsp;<em>Rainforest V (Variations 1\u20134)<\/em>&nbsp;(2015\u20132018) has been acquired by the collections of MoMA (New York), Museum der Moderne (Salzburg), the Vehbi Ko\u00e7 Foundation for the Arter Museum (Istanbul), and MAC Lyon.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recent installation work includes&nbsp;<em>Cluster Fields<\/em>, a collaboration with John Driscoll, most recently shown at the Zuccaire Gallery. Additional projects include&nbsp;<em>Re-Embodied Sound<\/em>&nbsp;at EMPAC and new works for synthetic objects in real space.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recent performances include appearances with CIE at the Fall Festival at Arter in Istanbul, a new realization of David Tudor\u2019s\u00a0<em>Pepscillator with Rotating Loudspeaker<\/em>, and\u00a0<em>Forest Speech<\/em>, presented as part of\u00a0<em>David Tudor: A View from Inside<\/em>\u00a0in Philadelphia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bio&#8217;s of others to be supplied pending requests&#8230; <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Links_and_Additional_Reading\"><\/span>Links and Additional Reading <span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">CIE legacy site <a href=\"http:\/\/composers-inside-electronics.net\/cie\/cie\/cie_home.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/composers-inside-electronics.net\/cie\/cie\/cie_home.html<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Tudor\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/en.wikipedia.org\/wiki\/David_Tudor<\/a> including <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/www.davidtudor.org\/\">Tudor Website<\/a><\/li>\n\n\n\n<li>Finding Aid for&nbsp;<a href=\"http:\/\/hdl.handle.net\/10020\/cifa980039\">David Tudor papers<\/a>, Getty Research Institute\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/www.getty.edu\/research\/conducting_research\/digitized_collections\/davidtudor\/av.html\">The Art of David Tudor: Audio and Video<\/a><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><a href=\"http:\/\/www.lovely.com\/bios\/tudor.html\">Lovely Music Biographies: David Tudor<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/archive.today\/20130708073144\/http:\/\/folkways.si.edu\/albumdetails.aspx?itemid=2305\/\"><em>Indeterminacy: New Aspect of Form in Instrumental and Electronic Music<\/em>&nbsp;Album Details<\/a>&nbsp;at&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Smithsonian_Folkways\">Smithsonian Folkways<\/a><\/li>\n\n\n\n<li><a href=\"http:\/\/www.bruceduffie.com\/tudor3.html\">David Tudor interview<\/a>, April 7, 1986&#8243;<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Individuals_Websites_with_Bios_partial_list\"><\/span>Individual&#8217;s Websites with Bio&#8217;s (partial list)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Michell Jaff\u00e9 <a href=\"https:\/\/michellejaffe.com\/about\">https:\/\/michellejaffe.com\/about<\/a> <\/li>\n\n\n\n<li>Dan Fishkin <a href=\"https:\/\/dfiction.com\">https:\/\/dfiction.com<\/a><\/li>\n\n\n\n<li>Cecilia Lopez <a href=\"http:\/\/www.cecilia-lopez.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.cecilia-lopez.com\/<\/a> <\/li>\n\n\n\n<li>Paul DeMarinis <a href=\"https:\/\/pauldemarinis.org\/\">https:\/\/pauldemarinis.org\/<\/a> <\/li>\n\n\n\n<li>Seth Cluett <a href=\"https:\/\/sethcluett.com\">https:\/\/sethcluett.com<\/a> <\/li>\n\n\n\n<li>Ron Kuivila <a href=\"https:\/\/m.vocalconstructivists.com\/featured-composers\/on-ronald-kuivila\/\">https:\/\/m.vocalconstructivists.com\/featured-composers\/on-ronald-kuivila\/<\/a><\/li>\n\n\n\n<li>Bill Viola <a href=\"https:\/\/billviola.com\/\">https:\/\/billviola.com\/<\/a> <\/li>\n\n\n\n<li>Michael Johnsen <\/li>\n\n\n\n<li>Ed Potokar <a href=\"https:\/\/edpotokar.com\">https:\/\/edpotokar.com<\/a>  \/\/edpotokar.com <\/li>\n\n\n\n<li>John DS Adams <a href=\"https:\/\/www.stonehousesound.com\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.stonehousesound.com<\/a><\/li>\n\n\n\n<li>Sophia Ogielska <a href=\"https:\/\/sophiaogielska.com\/toneburst\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/sophiaogielska.com\/toneburst\/<\/a> <\/li>\n\n\n\n<li>Matt Rogalsky <a href=\"https:\/\/www.mrogalsky.net\">https:\/\/www.mrogalsky.net<\/a> <\/li>\n\n\n\n<li>E.A.T. <a href=\"https:\/\/www.experimentsinartandtechnology.org\/\">https:\/\/www.experimentsinartandtechnology.org\/<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Phil Edelstein, updated March 2026 (and work in progress) (partial list of pre 2018 legacy sites CIE History, CIE Home (legacy) CIE Tudor Legacy pages [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-4383","page","type-page","status-publish","hentry"],"post_type":"page","author_name":"Philip 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