{"id":5741,"date":"2026-03-29T19:37:13","date_gmt":"2026-03-29T19:37:13","guid":{"rendered":"https:\/\/composers-inside-electronics.net\/cie-wp20\/?page_id=5741"},"modified":"2026-04-10T23:53:04","modified_gmt":"2026-04-10T23:53:04","slug":"100-50-tudor-and-cie","status":"publish","type":"page","link":"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/","title":{"rendered":"100 + 50 Tudor and CIE"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Phil Edelstein, March 2026<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a59c08d29d1f\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a59c08d29d1f\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Goal\" >Goal<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Introduction\" >Introduction<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#David_Tudor_and_the_Origins_of_CIE\" >David Tudor and the Origins of CIE<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#A_Different_Model_of_Performance\" >A Different Model of Performance<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Rainforest_Sound_as_Environment\" >Rainforest: Sound as Environment<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Collaboration_as_System\" >Collaboration as System<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Continuing_Practice_and_Relevance\" >Continuing Practice and Relevance<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Roster_of_Performers\" >Roster of Performers<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#10050_Current_Performance_Works\" >100+50 Current Performance Works<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Installations\" >Installations<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Current\" >Current<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Future\" >Future<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Forest_Speech_as_an_Installation\" >Forest Speech as an Installation<\/a><\/li><\/ul><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/100-50-tudor-and-cie\/#Research_and_Workshops\" >Research and Workshops<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Goal\"><\/span>Goal<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">We seek opportunities for performances and installlation under cover of the &#8220;100 + 50 Tudor and CIE&#8221; project<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Introduction\"><\/span>Introduction<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Composers Inside Electronics (CIE)<\/strong> is a collective of composer-performers dedicated to creating experimental electronic and electroacoustic music through shared systems and live interaction. Founded in 1973, the group emerged from working with <strong>David Tudor<\/strong>, whose radical approach to performance and circuitry continues to shape its practice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rather than treating composition as a fixed score, CIE approaches music as a dynamic process. Sound is generated, transformed, and distributed across a network of custom-built electronic instruments and resonant objects. Each performer contributes to a larger system, where authorship is shared and outcomes remain open.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"David_Tudor_and_the_Origins_of_CIE\"><\/span><strong>David Tudor and the Origins of CIE<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">David Tudor\u2019s work marked a decisive shift in experimental music. Moving away from his earlier role as a pianist and interpreter, he began designing electronic systems in which composition and performance became inseparable.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Instead of writing music to be executed, Tudor built environments to be activated. Circuits, feedback loops, and material interactions replaced notation as the primary means of structuring sound. This approach laid the foundation for CIE, where performers engage directly with the behavior of electronic systems in real time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CIE formed as a way to extend and sustain this practice collaboratively. It brought together artists who shared Tudor\u2019s interest in building instruments, exploring indeterminacy, and composing through interaction.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_Different_Model_of_Performance\"><\/span><strong>A Different Model of Performance<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">CIE operates unlike a traditional ensemble. There is no central score, no fixed hierarchy, and no single point of control.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Each member designs and constructs their own instruments\u2014often sculptural objects that function as loudspeakers. These objects are not passive outputs; they actively shape the sound that passes through them. Vibrations, material properties, and spatial placement all influence what is heard.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Performance unfolds as a distributed process. Performers listen, adjust, and respond to one another, continuously reconfiguring the system. The result is a shared sonic environment rather than a predetermined piece.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Rainforest_Sound_as_Environment\"><\/span><strong>Rainforest: Sound as Environment<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The <em>Rainforest<\/em> series is one of the most significant realizations of Tudor\u2019s ideas and a central project for CIE.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In these works, everyday materials\u2014metal, plastic, wood, and found objects\u2014are transformed into resonant loudspeakers. Transducers send audio signals into these objects, causing them to vibrate and emit sound according to their unique physical characteristics.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The space becomes an immersive environment. Sounds travel unpredictably through the objects, blending into complex textures that shift over time. No two realizations are the same; each depends on the materials, the arrangement, and the performers\u2019 actions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Audience members are not positioned as passive listeners. Instead, they move through the installation, encountering different sonic perspectives and discovering how each object \u201cspeaks.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Collaboration_as_System\"><\/span><strong>Collaboration as System<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">At the core of CIE\u2019s work is a commitment to collaboration\u2014not as coordination, but as interdependence within a shared system.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Each performer maintains control over their own materials and processes, yet no single contribution dominates. The music emerges from the interaction of all elements: circuits, objects, space, and human decision-making.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This approach challenges conventional ideas of authorship and composition. A work is not a fixed entity but a living system\u2014one that evolves with each performance and context.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Continuing_Practice_and_Relevance\"><\/span><strong>Continuing Practice and Relevance<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">CIE continues to perform and develop works based on Tudor\u2019s principles, adapting them to new technologies and environments while maintaining a strong emphasis on physical materials and embodied interaction.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Their practice remains influential in fields ranging from sound art to experimental music and media installation. By foregrounding process, system design, and collective authorship, CIE offers an alternative model for thinking about music in the electronic age.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Roster_of_Performers\"><\/span>Roster of Performers<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">CIE has always involved an evolving set of participants. Current performers include more or less of the following as time and resource allow: Cecilia Lopez, Dan Fishkin, Eugene Lew, Ed Potokar, John DS Adams, John Driscoll, Michelle Jaff\u00e9, Michael Johnsen, Ron Kuivila, Seth Cluett, Stuart Jackson, Paul DeMarinis, Phil Edelstein, Stephen Vitiello, Victoria Keddie and pending confirmation from others (as of April).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"10050_Current_Performance_Works\"><\/span>100+50 Current Performance Works<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">There are a number of works by David Tudor and others we propose for consideration:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Coefficient (Jackson)<\/em><\/li>\n\n\n\n<li><em>Dialects (Kuivila)<\/em><\/li>\n\n\n\n<li><em>Forest Speech (ensemble site specific)<\/em><\/li>\n\n\n\n<li><em>Microphone&nbsp;<\/em><em>(ensemble site specific)<\/em><\/li>\n\n\n\n<li><em>Neural Synthesis&nbsp;(Adams)<\/em><\/li>\n\n\n\n<li><em>Pepscillator&nbsp;<\/em><em>(ensemble site specific)<\/em><\/li>\n\n\n\n<li><em>Pulsers (Johnsen)<\/em><\/li>\n\n\n\n<li><em>Untitled (Johnsen)<\/em><\/li>\n\n\n\n<li><em>Rainforest IV&nbsp;<\/em><em>(ensemble site specific<\/em>)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Other works of specific by others such as :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Speaking in Tongues,<\/em>&nbsp;Driscoll&nbsp;<em>(ensemble <em>site specific<\/em>)<\/em><\/li>\n\n\n\n<li><em>TI intends\u2026<\/em>&nbsp;(predecessor to&nbsp;<em>The Linear Predictive&nbsp;Zoo) Chordata,&nbsp;<\/em>Ron Kuivila<\/li>\n\n\n\n<li><em>Light Piece for David Tudor&nbsp;<\/em>&nbsp;&nbsp;<em>Applebox Orchestra<\/em>&nbsp;by Pauline Oliveros&nbsp;<em>(ensemble <em>site specific<\/em>)<\/em><\/li>\n\n\n\n<li><em>Cartridge Music<\/em>, John Cage&nbsp;<em>(ensemble <em>site specific<\/em>)<\/em><\/li>\n\n\n\n<li><em>Exercises<\/em>&nbsp;, C.Wolff&nbsp;<em>(ensemble <em>site specific<\/em><\/em><\/li>\n\n\n\n<li><em>Mesa, G.&nbsp;<\/em>Mumma&nbsp;(Stuart Jackson and possibly other)<\/li>\n\n\n\n<li>RED or new work (Cecilia Lopez)<\/li>\n\n\n\n<li>new and old collaborative works (Driscoll, Edelstein, Lopez, Kuivila and others) some using design of rotating loudspeaker instrument concept developed by John Driscoll (<em>site specific<\/em>)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Installations\"><\/span>Installations<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">We seek opportunities for long running installations.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Current\"><\/span>Current<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Rainforest V <\/em>(variations 1-4) as can be potentially be arranged as loans from the collections of MoMA, Arter, Mac Lyon and MdM Salzburg<\/li>\n\n\n\n<li><em>Cluster Fields<\/em> (Driscoll, Edelstein) loan by the artists (<a href=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/cluster-fields\/\" data-type=\"link\" data-id=\"https:\/\/composers-inside-electronics.net\/cie-wp20\/cluster-fields\/\">link<\/a>)<\/li>\n\n\n\n<li>Other older works for consideration to be supplied upon request<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Future\"><\/span>Future<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">We are currently working towards a new set of installations building upon CIE&#8217;s work on kinetic focused spatial sound. We seek workshop to bring to comletion new works with CIE collaborations. Driscoll and Edelstein would like to engage with the CIE cohort taking concepts developed for bespoke works (e.g. <em>Gestures and Murmurations<\/em> with Cecilia Lopez) for new works.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Forest_Speech_as_an_Installation\"><\/span>Forest Speech as an Installation<span class=\"ez-toc-section-end\"><\/span><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">To date, <em>Forest Speech<\/em> has been performed in concert settings rather than as extended installation form. One area for exploration is to realize <em>Forest Speech<\/em> as an installation.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Research_and_Workshops\"><\/span>Research and Workshops<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">We seek research opportunities interwoven between creative works &amp; R&amp;D involving science, engineering, techniques and technology. The creative work involves the development of both new works and realizations of extent repertoire. R&amp;D involves acoustics of focused sound, sound in space, electronic circuitry, software, materials sciene, human interfaces, fabrication techniques, instrument building, construction of creative and expressive systems.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One area evolving area of focus is rotating speaker instrument building workshops.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Phil Edelstein, March 2026 Goal We seek opportunities for performances and installlation under cover of the &#8220;100 + 50 Tudor and CIE&#8221; project Introduction Composers [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-5741","page","type-page","status-publish","hentry"],"post_type":"page","author_name":"Philip Edelstein","_links":{"self":[{"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/pages\/5741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/comments?post=5741"}],"version-history":[{"count":11,"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/pages\/5741\/revisions"}],"predecessor-version":[{"id":5874,"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/pages\/5741\/revisions\/5874"}],"wp:attachment":[{"href":"https:\/\/composers-inside-electronics.net\/cie-wp20\/wp-json\/wp\/v2\/media?parent=5741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}